Production

Audio

FRONT OF HOUSE

  • Console: Yamaha CL5 with 48×24 channels of Yamaha Rio Main Hangs: (2) L’Acoustics A15 (Focus/Wide)
  • Subs: (4) L’acoustics KS21
  • Stereo Delay 1: (2) L’acoustics A10 Wide
  • Stereo Delay 2: (2) L’acoustics X8

STAGE/MONITORS

  • Monitors normally run from FOH
  • Behringer x32 available when monitor engineer required 48×8 split snake available by request
  • (1) 16×8 Rio
  • (8) Nexo 45n12 monitors and (1) Nexo LS18 drum/dj sub on (7) mixes plus matching cue wedge
  • (3) Nexo 4×4 16,000 watt amplifiers w/ Dante

DYNAMIC MICS

  • 8 Shure SM 58s
  • 6 Shure SM 57s
  • 2 Shure Beta 57s
  • 1 Shure Beta 52
  • 1 Shure Beta 91a
  • 2 Sennheiser 609s
  • 2 Sennheiser 604s
  • 4 Audix D2s
  • 1 AKG D112
CONDENSER MICS

  • 2 Shure SM137s
  • 1 Shure KSM 137
  • 1 Shure BG 4.1

DIRECT BOXES

  • 5 Radial passive Pro Dis
  • 3 Whirlwind passive IMP Dis
  • 1 Radial JDI Duplex passive Stereo DI
  • 1 Countryman active DI

    Lighting

  • 6x Chauvet Rogue R1 Washes
  • 6x ETC Source Four Junior (25°-50° Zoom) ellipsoidal fixtures
  • 3x Martin Stagebar54 RGBAW LED fixtures
  • 1x Phazer
  • 1x ChamSys MQ100 Pro lighting console

Video

  • 1x PowerLite Pro G6800. Ceiling mounted shooting on stage
  • 1x 6’x4’ motorized projector screen mounted downstage edge
  • 1x each: HDMI and VGA connections accessible from mid venue

Stage

Solid Maple Wood 18′ × 20′ square, 3’ off the floor, 10.2’ from stage to ceiling. Wall behind the stage is 12’ wide x 10′ tall (for unobstructed view of banner or sign).

Room

Shotgun Style room with Maple Wood Flooring and Brick Walls. 23’ Ceilings. Room Length 120’, Width 45’. 450 Standing Room Capacity

Power

100A single phase disconnect with cam lock. Also available is 80A Edison. Located off stage left.

Load In

Load in will take place from the alley between 6th and 7th off of San Jacinto. Does require lifting up 13 steps.